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D-ID, from animated portraits to conversational avatars

L’essentiel

Founded in Israel, D-ID develops artificial intelligence tools that turn images and text into videos featuring animated faces. The company also offers conversational avatars, intended particularly for training, marketing and customer relations.

À retenir

Founded in Israel, D-ID develops artificial intelligence tools that turn images and text into videos featuring animated faces. The company also offers conversational avatars, intended particularly for training, marketing and customer relations.


D-ID develops artificial intelligence technologies that can animate a face, make it speak and integrate it into a conversational interface. Based in Tel Aviv, the Israeli company markets its tools to content creators and organizations, directly or through application programming interfaces. Its positioning lies at the intersection of video generation, speech synthesis and human-machine interaction.

From protecting faces to animating them

D-ID was founded in 2017 by Gil Perry, Sella Blondheim and Eliran Kuta. Its early work focused on protecting identity against facial recognition systems, using image modification techniques designed to disrupt automatic identification. The company subsequently shifted its development toward animating and generating digital faces.

This expertise notably gained visibility through Deep Nostalgia, the service launched by MyHeritage in 2021 to animate old photographic portraits. Behind this consumer application, D-ID built a product offering designed to produce audiovisual content without always requiring a shoot. This journey illustrates the shift from technology focused on facial analysis to applications for creating synthetic media.

From talking videos to conversational agents

With Creative Reality Studio, D-ID makes it possible to create videos in which a character speaks text supplied by the user. Depending on the features used, production draws on a photograph, a digital presenter, an audio track or a synthetic voice. The animation aims to synchronize mouth movements with speech, giving the message a visual embodiment.

Targeted uses include training modules, sales presentations, internal communications and marketing content. Multilingual and video translation features also address the need to adapt the same message for multiple markets. The operational benefit is to make updates and variations easier, rather than to replace every form of audiovisual production.

D-ID also offers APIs for integrating its technologies into third-party services, as well as agents with an animated visual interface. These agents combine a talking face with dialogue capabilities and can be connected to documentary resources. The avatar then becomes a gateway to information or a service, going beyond a simple prerecorded video.

What next?

For D-ID, the challenge is to demonstrate that an animated face delivers measurable value compared with a text or voice interface. Dialogue quality, latency, response accuracy and integration with business tools will matter as much as visual realism. The development of these uses also depends on safeguards concerning the consent of the people depicted, rights associated with images and voices, and the identification of synthetic content. In a competitive sector, trust and control over how the technology is used are selection criteria for business customers.

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